The following is an excerpt of an interview with Robin Koehler, fiber artist, for Votre Vray Creative Women by Mel. Edwards.
There is no magic pill for achievement or artistry. “Whether your life is a creative one or a 9-5 office life, the basic principles apply to us all. If you follow those principals, success should follow,” says Robin Koehler. “Go to work every day. Don’t stop learning, and don’t be afraid to try anything.”
Speaking of trying anything, many creative people will put their hands and hearts to work in a variety of mediums, loving some more than other. “When I found fiber arts, I walked away from all the other mediums I had attempted over the years. I can’t imagine doing anything else since I am able to combine mediums with the fiber art.”
What keeps Robin going? “I know I should be empowering myself and not rely on others’ feedback but I grow from it. The bigger impact comes from having a stranger tell me that they like (my work).” Does she believe in her own work? “Yes, but I constantly compare myself to other artists in my field and the first reaction it to say I’m not good enough. I need to override that with positive self talk which can be exhausting. Self-help only works if you do it. I put that little voice to the back. Each time your try, it makes it easier the next time.”
Doing her art isn’t the only nerve wracking aspect of getting her work out there. ‘I do door-to-door sales of my patterns to quilt shops. I like selling via my website better because you don’t have to see the look on the potential customer’s face when you discuss price.”
Marketing and selling is a well-known challenge of creative people of all mediums and modalities. Most of us do not create to become wealthy, but for the joy of the art. In the end, the joy will carry us through.
*********
You can enjoy and purchase Robin’s work by visiting www.nestlingsbyrobin.com.
Tuesday, July 29, 2008
Boys and Girls, in the Center Ring, An Amazing Architect!
The following is an excerpt of an interview of architect Mary Cyr conducted by Mel. Edwards for the Votre Vray Creative Women project.
Many people “oh” and “ah” over artwork and glamorize the technical skill and hard work that goes into creating a piece. The same goes for the effort that is required to be an architect. Many artists often are astounded when non-artists exclaim, “Oh, I could never do that. You’re so talented,” completely discounting the fact that anyone good at her art must show up at the drawing table again and again, ready to work, regardless of inspiration. “They make you sound like a lion tamer or something. Then I wonder why my life isn’t as glamorous as they think.” Mary Cyr was guilty of such feelings as a child, “I felt like I couldn’t do math. I think only teachers make less (than artists and architect).”
Still she made the leap with a little help from those who fostered her spark. Who supported her dream? “I had several ‘angels’ come into my life as I needed them. The first was my undergraduate Art History professor, Dr. Rosa, with whom I did an Architectural History tutorial in contemplations of a career in Architecture and who saw that my sculpture was definitely growing towards an architectural expression. I had two professors in graduate architecture school, Professor Adele Santos and Professor Urs Gauchat, who saw value in my word and encouraged me to nurture it. I had wonderful employers. My first job (at the now defunct The Architect’s Collaborative), my mentors were Vick Madera and John Weigel, who encouraged me to take on more responsibility in my first foray into the ‘real’ world. Oliver Egleston, the former president of Shelley Bullfinch & Abbot supported me by showing me that midlife transitions are nothing to be afraid of. Most recently, Bill Quatman, FAIA who is an attorney practicing construction law in Kansas City has been a great fan of mine as I sought his support in my establishment of my Architect-led Design/Build company.”
Mary states, “The life of an artist is a real lone existence. At age 20 I knew that I wanted to be more deeply connected to the community. What I do now has the self-discipline of art but much of my work is for non-profits. I’m doing an RFP this morning.” Mary has spent twenty-five years as an architect and ten of those years running a sole proprietorship. I’d like to grow and have multiple streams of income that all are intertwined: an art gallery in my office, a small non-profit studio/artists incubator for emerging artists, my design and build company, and ideally, I’d like to go back home to Boston.”
“I’m ready to step out of my profession, not to abandon it, but to take a chance and see what happens when I allow more into my creative life. Not only does that not scare me, it makes me excited about my future.” Little does she know, her passion excites others too.
********
Mary Cyr’s business can be found at: http://www.cyrarchitects.com/
Many people “oh” and “ah” over artwork and glamorize the technical skill and hard work that goes into creating a piece. The same goes for the effort that is required to be an architect. Many artists often are astounded when non-artists exclaim, “Oh, I could never do that. You’re so talented,” completely discounting the fact that anyone good at her art must show up at the drawing table again and again, ready to work, regardless of inspiration. “They make you sound like a lion tamer or something. Then I wonder why my life isn’t as glamorous as they think.” Mary Cyr was guilty of such feelings as a child, “I felt like I couldn’t do math. I think only teachers make less (than artists and architect).”
Still she made the leap with a little help from those who fostered her spark. Who supported her dream? “I had several ‘angels’ come into my life as I needed them. The first was my undergraduate Art History professor, Dr. Rosa, with whom I did an Architectural History tutorial in contemplations of a career in Architecture and who saw that my sculpture was definitely growing towards an architectural expression. I had two professors in graduate architecture school, Professor Adele Santos and Professor Urs Gauchat, who saw value in my word and encouraged me to nurture it. I had wonderful employers. My first job (at the now defunct The Architect’s Collaborative), my mentors were Vick Madera and John Weigel, who encouraged me to take on more responsibility in my first foray into the ‘real’ world. Oliver Egleston, the former president of Shelley Bullfinch & Abbot supported me by showing me that midlife transitions are nothing to be afraid of. Most recently, Bill Quatman, FAIA who is an attorney practicing construction law in Kansas City has been a great fan of mine as I sought his support in my establishment of my Architect-led Design/Build company.”
Mary states, “The life of an artist is a real lone existence. At age 20 I knew that I wanted to be more deeply connected to the community. What I do now has the self-discipline of art but much of my work is for non-profits. I’m doing an RFP this morning.” Mary has spent twenty-five years as an architect and ten of those years running a sole proprietorship. I’d like to grow and have multiple streams of income that all are intertwined: an art gallery in my office, a small non-profit studio/artists incubator for emerging artists, my design and build company, and ideally, I’d like to go back home to Boston.”
“I’m ready to step out of my profession, not to abandon it, but to take a chance and see what happens when I allow more into my creative life. Not only does that not scare me, it makes me excited about my future.” Little does she know, her passion excites others too.
********
Mary Cyr’s business can be found at: http://www.cyrarchitects.com/
Warm-hearted Crafter Becomes Fiber Artist
The following is an excerpt of an interview of Bailey Earith for Votre Vray Creative Women by Mel. Edwards.
Every day in crafting stores around the world, a child spies a kit that looks fun an interesting. Begging ensues. Parents either foster the creativity (“You want to make that? Okay. Put it in the cart.”), site financial obstacles (“Not today. We can’t afford that.”), demand shared ownership (“How much of your allowance do you have left?”), or shoot down the request (“No. You have plenty of toys at home. You don’t need that. It’s junk anyway.”). Bailey Earith was lucky enough to have a family that encouraged her creativity. “I started with kits as a kid and my work developed from there.”
“Growing up, waaay back I used to just consider myself a crafter. My original training was occupational therapy, which developed from a post-WWII program for shell-shocked veterans. I had to learn ceramics, woodwork, mosaic, knitting, crocheting, etc. so I could teach others. I wanted to take it to the next level. Then I read a book that stated the words you use affect your life. I decided from then on to take the title of artist and the change was immediate.” Bailey’s favorite quote? “Whether you think you can, or think you can’t you’re right.” – Henry Ford “I so believe that. My special passion is empowering mentally challenged people to help them create arts and bring it to market. I also teach arts at retreats to help people with their personal journeys. We make spirit dolls.”
Bailey adds, “I’m not religious, more spiritual, more Dr. Wayne Dyer and honoring American Indian traditions. So, when I say this, it may not be what religious people think of, but I say, do what makes you happy. Be true to who you are. Believe. Then you will (be able to do create your vision).”
*********
Bailey’s work can be found at: www.BaileyFiberArt.com
Every day in crafting stores around the world, a child spies a kit that looks fun an interesting. Begging ensues. Parents either foster the creativity (“You want to make that? Okay. Put it in the cart.”), site financial obstacles (“Not today. We can’t afford that.”), demand shared ownership (“How much of your allowance do you have left?”), or shoot down the request (“No. You have plenty of toys at home. You don’t need that. It’s junk anyway.”). Bailey Earith was lucky enough to have a family that encouraged her creativity. “I started with kits as a kid and my work developed from there.”
“Growing up, waaay back I used to just consider myself a crafter. My original training was occupational therapy, which developed from a post-WWII program for shell-shocked veterans. I had to learn ceramics, woodwork, mosaic, knitting, crocheting, etc. so I could teach others. I wanted to take it to the next level. Then I read a book that stated the words you use affect your life. I decided from then on to take the title of artist and the change was immediate.” Bailey’s favorite quote? “Whether you think you can, or think you can’t you’re right.” – Henry Ford “I so believe that. My special passion is empowering mentally challenged people to help them create arts and bring it to market. I also teach arts at retreats to help people with their personal journeys. We make spirit dolls.”
Bailey adds, “I’m not religious, more spiritual, more Dr. Wayne Dyer and honoring American Indian traditions. So, when I say this, it may not be what religious people think of, but I say, do what makes you happy. Be true to who you are. Believe. Then you will (be able to do create your vision).”
*********
Bailey’s work can be found at: www.BaileyFiberArt.com
Monday, July 28, 2008
Votre Vray Interviewee Earns Rave Reviews
Babs Bell Hajdusiewicz, M.S. Ed., author of Sputter, Sputter, Sput has sent links to
two solid reviews. Please check them out and know that an excerpt of Bab's interview for the Votre Vray Creative Women project is coming soon!
-Mel.
http://www.kirkusreviews.com/kirkusreviews/search/search_results_taxo.jsp?startDate=04/25/2008&endDate=07/24/2008&cf=&ct=&cu=&rpp=10&sb=REFERENCE_DATE&so=DESC&ti=2&tp=vnuTaxoPool&numRet=200&src=&showAbs=true&srchMeta=true&shwTotal=true&metaSrchNum=250&numMeta=20&pi=&pubList=Kirkus%20Reviews&kw=sputter&au=&mt=&mv=&esindct=false
http://search.barnesandnoble.com/Sputter-Sputter-Sput/Babs-Bell-Hajdusiewicz/e/9780060562236/?itm=1
two solid reviews. Please check them out and know that an excerpt of Bab's interview for the Votre Vray Creative Women project is coming soon!
-Mel.
http://www.kirkusreviews.com/kirkusreviews/search/search_results_taxo.jsp?startDate=04/25/2008&endDate=07/24/2008&cf=&ct=&cu=&rpp=10&sb=REFERENCE_DATE&so=DESC&ti=2&tp=vnuTaxoPool&numRet=200&src=&showAbs=true&srchMeta=true&shwTotal=true&metaSrchNum=250&numMeta=20&pi=&pubList=Kirkus%20Reviews&kw=sputter&au=&mt=&mv=&esindct=false
http://search.barnesandnoble.com/Sputter-Sputter-Sput/Babs-Bell-Hajdusiewicz/e/9780060562236/?itm=1
No Negativity in a Passionate Process
The following is an excerpt of an interview of Anya McManis, painter, conducted by Mel. Edwards for the Votre Vray Creative Women Project.
What is your heaven on earth? Anya McManis’s version is painting. “It is a dream, a wish, that has come true.” Many of McManis’s graphic design clients may have no of idea the artistry that lives within Anya’s soul. When I asked her how she felt about being called an artist she said, “Now, I feel that that’s me. My father was a painter but he had to get ‘a real job’ instead of following an art career. For me, becoming comfortable with the term was a growing process, to finally realize that is who I am. Now, it resonates with me.”
So often, those of us who realize our creative path as a second career or a new found love born anew later in our adult lives, artists are often overly self-critical and fearful of putting our work, hearts and souls on the block for others to evaluate. I asked Anya if it was ever, often, or always a fearful process to put her work out there for the masses. “Surprisingly, no, not at all. I’ve always gotten a good reception, and that helps. I never had a fear because if I did what I loved, I felt I just had to do it. I enjoy it so much. There just is no negative. As I work, I’ve always felt I was becoming myself more than ever before.”
How does she balance a full-time graphic design business and her art? “Sometimes, it is not so easy. I’m very busy, but always looking, trying to find that balance. I ride my bike to the office, and try to get to the gym.” Still, her love for her art is so powerful, it is hard to imagine she wouldn’t be willing to live an unbalanced life for a long time just so that she can paint. “Deep inside there is more I can do with it, and I’ve looked into a (business) space that was more like a gallery in front. It can encourage others and help them get their art out there too. Remember, the process is the most rewarding part. Being in a creative zone, a space where you do your art, is just wonderful.”
*********
Anya can be found each day at her other creative passion: http://www.kreativekeystrokes.com/
What is your heaven on earth? Anya McManis’s version is painting. “It is a dream, a wish, that has come true.” Many of McManis’s graphic design clients may have no of idea the artistry that lives within Anya’s soul. When I asked her how she felt about being called an artist she said, “Now, I feel that that’s me. My father was a painter but he had to get ‘a real job’ instead of following an art career. For me, becoming comfortable with the term was a growing process, to finally realize that is who I am. Now, it resonates with me.”
So often, those of us who realize our creative path as a second career or a new found love born anew later in our adult lives, artists are often overly self-critical and fearful of putting our work, hearts and souls on the block for others to evaluate. I asked Anya if it was ever, often, or always a fearful process to put her work out there for the masses. “Surprisingly, no, not at all. I’ve always gotten a good reception, and that helps. I never had a fear because if I did what I loved, I felt I just had to do it. I enjoy it so much. There just is no negative. As I work, I’ve always felt I was becoming myself more than ever before.”
How does she balance a full-time graphic design business and her art? “Sometimes, it is not so easy. I’m very busy, but always looking, trying to find that balance. I ride my bike to the office, and try to get to the gym.” Still, her love for her art is so powerful, it is hard to imagine she wouldn’t be willing to live an unbalanced life for a long time just so that she can paint. “Deep inside there is more I can do with it, and I’ve looked into a (business) space that was more like a gallery in front. It can encourage others and help them get their art out there too. Remember, the process is the most rewarding part. Being in a creative zone, a space where you do your art, is just wonderful.”
*********
Anya can be found each day at her other creative passion: http://www.kreativekeystrokes.com/
Lady, Your Kid Looks Like a Monkey
The following is an excerpt of an interview of Laura Glusha, artists and human mom of sorts to an endangered DeBrazza monkey, by Mel. Edwards for the Votre Vray Creative Women project.
“I had been working for the movies (making posters) and it was never fulfilling. The studio takes all the credit for your work. Your name is off everything that you paint. I worked like a dog but in the end, you are nothing. I was in a complete depression, so I’d go to the zoo and sketch. One day, I went to the children’s zoo, where I never went, and there was this human incubator. I had a background in sketching for medicine, so I knew what it was. There was this baby monkey, only six inches long, sucking his toe. He had the most beautiful eyes I had seen in my life ever. He looked at me as he knew me. I walked around and could almost feel his eyes piercing me. I went back the next day and every day for five days. It was quiet then, in 1972 the kids were at school, not on trips to the zoo. During that time I just watched and drew him.”
Laura’s connection with the infant did not go unnoticed. A zoo worker said, “We’ve been watching you.” Then they told her the sad tale. The baby had been found in the arms of its father at two days old. The father was throwing him against the side of the cage and when he was spotted. He was almost dead. The zoo workers dropped a net into the cage and hosed down the male until he let go of the offspring, and the workers pulled it to safety. That was the day Laura met him.
“He thinks you’re his mother.”
Laura smiled, “I feel as if he’s my child.” The truth is, Laura and her husband, who helped her gain great skill as an artist, never did have human children.
“We don’t think he’s going to make it but we want to name him. We were thinking either Harold or Suck-a-toe.”
Laura still laughs, 36 years later, saying, “That’s all he did. So, Suck-a-toe it was.”
Although Laura is an artist by nature, her adventures in visiting this little guy every day for nine months brought her along two other colorful paths that were wholly unanticipated. She found an author for Suck-a-toe’s story by discussing it with her chiropractor and his nurse. Laura had no idea the nurse was a published author, but Sister Mary Dorothy knew a good story when she heard it. She handed Laura a sketch pad and said, “We’re going to write a book and you’re going to do the pictures.” Laura also began sharing her stories of Suck-a-toe as a public speaker, visiting schools for free just to talk about her beloved. “It has become the most important thing in my life. I don’t know what made me go the other way that day into the children’s zoo. But when I got in, there he was right in front of me.”
Sometimes love is at first sight, and lives change in an instant. Gratefully, Laura’s life blossomed and the depression went away, as she sketched Suck-a-toe day after day, played peek-a-boo with him in his incubator, and then shared his story with the world.
“I believe everyone has a purpose in this life and if not pursued that person will never be happy,” says Laura. Perhaps without a mother’s love there would have never been a thriving monkey named Suck-a-toe.
********
Please visit Laura’s website and her amazing animal artwork: http://www.artsonstone.com/
“I had been working for the movies (making posters) and it was never fulfilling. The studio takes all the credit for your work. Your name is off everything that you paint. I worked like a dog but in the end, you are nothing. I was in a complete depression, so I’d go to the zoo and sketch. One day, I went to the children’s zoo, where I never went, and there was this human incubator. I had a background in sketching for medicine, so I knew what it was. There was this baby monkey, only six inches long, sucking his toe. He had the most beautiful eyes I had seen in my life ever. He looked at me as he knew me. I walked around and could almost feel his eyes piercing me. I went back the next day and every day for five days. It was quiet then, in 1972 the kids were at school, not on trips to the zoo. During that time I just watched and drew him.”
Laura’s connection with the infant did not go unnoticed. A zoo worker said, “We’ve been watching you.” Then they told her the sad tale. The baby had been found in the arms of its father at two days old. The father was throwing him against the side of the cage and when he was spotted. He was almost dead. The zoo workers dropped a net into the cage and hosed down the male until he let go of the offspring, and the workers pulled it to safety. That was the day Laura met him.
“He thinks you’re his mother.”
Laura smiled, “I feel as if he’s my child.” The truth is, Laura and her husband, who helped her gain great skill as an artist, never did have human children.
“We don’t think he’s going to make it but we want to name him. We were thinking either Harold or Suck-a-toe.”
Laura still laughs, 36 years later, saying, “That’s all he did. So, Suck-a-toe it was.”
Although Laura is an artist by nature, her adventures in visiting this little guy every day for nine months brought her along two other colorful paths that were wholly unanticipated. She found an author for Suck-a-toe’s story by discussing it with her chiropractor and his nurse. Laura had no idea the nurse was a published author, but Sister Mary Dorothy knew a good story when she heard it. She handed Laura a sketch pad and said, “We’re going to write a book and you’re going to do the pictures.” Laura also began sharing her stories of Suck-a-toe as a public speaker, visiting schools for free just to talk about her beloved. “It has become the most important thing in my life. I don’t know what made me go the other way that day into the children’s zoo. But when I got in, there he was right in front of me.”
Sometimes love is at first sight, and lives change in an instant. Gratefully, Laura’s life blossomed and the depression went away, as she sketched Suck-a-toe day after day, played peek-a-boo with him in his incubator, and then shared his story with the world.
“I believe everyone has a purpose in this life and if not pursued that person will never be happy,” says Laura. Perhaps without a mother’s love there would have never been a thriving monkey named Suck-a-toe.
********
Please visit Laura’s website and her amazing animal artwork: http://www.artsonstone.com/
So…What happened to that story???
The following is an excerpt of author Carol Hoenig’s interview with Mel. Edwards for the Votre Vray Creative Women project.
Why does someone purposely get up each day and face a blank page or computer screen with the intention to write fact or fiction? For Carol Hoenig it was a matter of self-preservation. “Growing up, I was never a debater. I’d just fumble unless I really knew my stuff. I question my verbal choices when spoken. When I write I can say, ‘Okay. That’s what I was trying to get at.’ Something in me tells me what I have written is right, and then I know I’m done. Still, if I know it isn’t finished, it keeps niggling at me. Even now when I blog I try to give it an hour to set before I put it out there.”
Leading such an exacting verbal existence may seem exhausting so many, but not for Carol. “I grew up in a little town north of Plattsburg, NY, and I learned early one that when I wrote poetry in school people would laugh at my quirky humor (in a positive way). So I kept at it. I never called myself a writer before I was published, but when I was being taken by the industry, I knew it was time.”
Who inspired her? “I know it is cliché but I had a home economics teacher in 7th grade that I showed a story I was working on. She was interested in it. Then, I saw her again when I was in the 12th grade and she asked about my character (Tommy). I was mortified, because I didn’t want to let her down. I told her I was working on it even though I hadn’t touched it.”
Her high school influences apparently went much further than one teacher’s interest. When Carol’s first book was published one review compared the novel to To Kill a Mockingbird. “It was my first review, and I waited for it to come out. Three hours later, I learned they downsized my job. I looked at the review as a signpost, took my severance and put the word out that I was going to try going it on my own. I got my first freelance job the same day.”
The rest, we hope, will make her-story!
*****
Please visit Carol's website: http://www.carolhoenig.com/
Why does someone purposely get up each day and face a blank page or computer screen with the intention to write fact or fiction? For Carol Hoenig it was a matter of self-preservation. “Growing up, I was never a debater. I’d just fumble unless I really knew my stuff. I question my verbal choices when spoken. When I write I can say, ‘Okay. That’s what I was trying to get at.’ Something in me tells me what I have written is right, and then I know I’m done. Still, if I know it isn’t finished, it keeps niggling at me. Even now when I blog I try to give it an hour to set before I put it out there.”
Leading such an exacting verbal existence may seem exhausting so many, but not for Carol. “I grew up in a little town north of Plattsburg, NY, and I learned early one that when I wrote poetry in school people would laugh at my quirky humor (in a positive way). So I kept at it. I never called myself a writer before I was published, but when I was being taken by the industry, I knew it was time.”
Who inspired her? “I know it is cliché but I had a home economics teacher in 7th grade that I showed a story I was working on. She was interested in it. Then, I saw her again when I was in the 12th grade and she asked about my character (Tommy). I was mortified, because I didn’t want to let her down. I told her I was working on it even though I hadn’t touched it.”
Her high school influences apparently went much further than one teacher’s interest. When Carol’s first book was published one review compared the novel to To Kill a Mockingbird. “It was my first review, and I waited for it to come out. Three hours later, I learned they downsized my job. I looked at the review as a signpost, took my severance and put the word out that I was going to try going it on my own. I got my first freelance job the same day.”
The rest, we hope, will make her-story!
*****
Please visit Carol's website: http://www.carolhoenig.com/
Free Ways to Promote Your Art
Hello, everyone.
As I work on this Votre Vray project I talk to more and more women who don't promote their art outside of their communities, or those who put up a website and just hope someone finds their work.
I've started this post to invite you to share how your promote your work and get business. Please add your tips to the comments section.
Here are a few of my tips from what I do now:
1. Start a blog, and update it regularly. Each post can end up a topic people search for. I love Blogger because it is easy, the templates match my style, it is FREE and Google owns it, so when someone Google's my name or my project, you bet you see a bunch of links pop up. (RSS feeds help too.)
2. Send out a press release for each new venture and event to people who have the option of writing about your work, including to your dream venue/gallery/theatre etc.
3. Participate in statewide and national shows and get your name placed in their advertising for free as an exhibitor/vendor. (I'll be in the South Carolina Upstate Women's Show August 22-24 and I'll be listed for free as one of their exhibitors/vendors.)
Here are some things I'll be doing in the next month:
1. Begin a free newsletter/e-mail list with easy opt in and opt out.
2. Sell related merchandise via an online store such as CafePress, eBay, etc. or use automatic checkout via PayPal for your merchandise. (www.ShoutKissMyArt.com will be using the PayPal invoices as soon as I set it up this week.)
3. Participate in free marketing workshops and networking groups to let people know who you are and ask for their tips and tricks.
So, what do you do?
Please share with other Votre Vray readers via the comments section below. Feel free to add links to your websites and blogs in your comments. This community is all about promoting you and your true creative self.
Until next time,
keep creating!
-Mel.
As I work on this Votre Vray project I talk to more and more women who don't promote their art outside of their communities, or those who put up a website and just hope someone finds their work.
I've started this post to invite you to share how your promote your work and get business. Please add your tips to the comments section.
Here are a few of my tips from what I do now:
1. Start a blog, and update it regularly. Each post can end up a topic people search for. I love Blogger because it is easy, the templates match my style, it is FREE and Google owns it, so when someone Google's my name or my project, you bet you see a bunch of links pop up. (RSS feeds help too.)
2. Send out a press release for each new venture and event to people who have the option of writing about your work, including to your dream venue/gallery/theatre etc.
3. Participate in statewide and national shows and get your name placed in their advertising for free as an exhibitor/vendor. (I'll be in the South Carolina Upstate Women's Show August 22-24 and I'll be listed for free as one of their exhibitors/vendors.)
Here are some things I'll be doing in the next month:
1. Begin a free newsletter/e-mail list with easy opt in and opt out.
2. Sell related merchandise via an online store such as CafePress, eBay, etc. or use automatic checkout via PayPal for your merchandise. (www.ShoutKissMyArt.com will be using the PayPal invoices as soon as I set it up this week.)
3. Participate in free marketing workshops and networking groups to let people know who you are and ask for their tips and tricks.
So, what do you do?
Please share with other Votre Vray readers via the comments section below. Feel free to add links to your websites and blogs in your comments. This community is all about promoting you and your true creative self.
Until next time,
keep creating!
-Mel.
Thursday, July 24, 2008
How to Become a Votre Vray Profiled Artist - Volume 2
Those who have been following the blog know I have about 100 women already who have answered the six interview launch questions and filled out the release form (posted June 25th). The deadline for submissions for Votre Vray Creative Women, Volume 1, has passed.
NOTE: If you filled out the documents and haven't heard from me, you'll get an e-mail from me within the next few days to do your follow-up interview.
If you've not filled out the six questions and release form, you can be considered for Volume 2, set to go through the interview process later this fall IF you do at least TWO of the following:
1. Subscribe to the blog and wait for a call for submissions for Volume 2.
2. Post positive comments to the blog and profiles of other artists between now and then.
3. Come to a Votre Vray event.
4. Buy something from a Votre Vray artist (and have the artist e-mail me that you came to them because of the Votre Vray project).
5. Write an article about Votre Vray on your own website or print media and send me a copy (and I'll cross-promote it).
It is my mission to promote women and the arts. We can only do it by working together, reaching out to each other, spreading the word and, holding up our heads to:
Shout: Kiss My Art!
Keep creating!
-Mel.
NOTE: If you filled out the documents and haven't heard from me, you'll get an e-mail from me within the next few days to do your follow-up interview.
If you've not filled out the six questions and release form, you can be considered for Volume 2, set to go through the interview process later this fall IF you do at least TWO of the following:
1. Subscribe to the blog and wait for a call for submissions for Volume 2.
2. Post positive comments to the blog and profiles of other artists between now and then.
3. Come to a Votre Vray event.
4. Buy something from a Votre Vray artist (and have the artist e-mail me that you came to them because of the Votre Vray project).
5. Write an article about Votre Vray on your own website or print media and send me a copy (and I'll cross-promote it).
It is my mission to promote women and the arts. We can only do it by working together, reaching out to each other, spreading the word and, holding up our heads to:
Shout: Kiss My Art!
Keep creating!
-Mel.
Support Votre Vray Artists!!!
If you see an article to an artist you're interested in, go to their site. Buy their work. Become their best advocate and post comments here....but DON'T STOP there!
If you're a friend or family member of a Votre Vray creative woman, please read the articles and see the work of the other artists. We're not competitors here. You can love the work of several artists, even in the same medium, and not be disloyal to the one artist you came to see because you already knew her or her work.
Votre Vray can only be a success if you reach out to each other, tell everyone you know about the artists here, and about my work to be an arts advocate. Kudos are great, but in the words of Carla Sanders, the sincerest form of appreciation is when someone pulls out their checkbook.
Also, if you are interested in buying work or seeing more work from any of these artists, please visit their links directly. I don't make a single red cent in promoting anyone here. The artist make the money when you visit them and buy from them directly.
Thank you again for your patronage, and please:
1. Tell 10 people today about Votre Vray
2. Subscribe to this blog
3. If you want art, buy something from one of the wonderful women who've been profiled here, or whose links appear on this page.
4. Create your own art for your own pleasure, or to share, and join the Votre Vray family!
5. Put a link to Votre Vray on your blog or website.
Keep creating!
-Mel.
If you're a friend or family member of a Votre Vray creative woman, please read the articles and see the work of the other artists. We're not competitors here. You can love the work of several artists, even in the same medium, and not be disloyal to the one artist you came to see because you already knew her or her work.
Votre Vray can only be a success if you reach out to each other, tell everyone you know about the artists here, and about my work to be an arts advocate. Kudos are great, but in the words of Carla Sanders, the sincerest form of appreciation is when someone pulls out their checkbook.
Also, if you are interested in buying work or seeing more work from any of these artists, please visit their links directly. I don't make a single red cent in promoting anyone here. The artist make the money when you visit them and buy from them directly.
Thank you again for your patronage, and please:
1. Tell 10 people today about Votre Vray
2. Subscribe to this blog
3. If you want art, buy something from one of the wonderful women who've been profiled here, or whose links appear on this page.
4. Create your own art for your own pleasure, or to share, and join the Votre Vray family!
5. Put a link to Votre Vray on your blog or website.
Keep creating!
-Mel.
Follow the Sparkle
Excerpt of an interview with Violette, folk art painter, by Mel. Edwards for the Votre Vray creative women’s project.
Ever want to just go wild with color? Have you seen the houses in other nations, like Jellybean Row in Newfoundland (http://www.flickr.com/groups/jellybeanrow/), and dream of transforming out of the beige that seems to have captivated much of America? Let me introduce you to Violette, a wonderful Canadian woman as colorful as her palette. Her house is purple, van is multi-hued emblazoned with creativity quotes such as Joseph Campbell’s “Follow Your Bliss,” and her home is so vibrant that it has been profiled on an episode of Weird Homes.
You may have noticed she doesn’t give a last name. “When you’re a girl, you have your father’s name. You get married and have your husband’s. I’m happy with just Violette.” A bit of research reveals that Violette and several friends were so set on claiming their own identities that they each had a wedding ceremony – to marry their own true selves. That for feminine identity independence that goes a lot further than calling a woman "Ms." instead of Miss or Mrs!
I asked what her neighbors thought of her home. She said a gal friend asked an older gentleman from down the street when she first painted it. His reply? “It sure is colorful!” Violette laughs. Still, she keeps moving forward adding personality to her belongings and her art to the world. “I used to get embarrassed when friends would go with me to art supply stores and tell people I was an artist. I found it hard to accept the title because I’m not a fine artist. I’m a folk artist. Now I think it is great and I’ve grown into it. Still, as women we’re trained to think about others (first) and to not get a big head. It is a process.”
When you’re an emerging artist, others often offer advice whether you ask for it or not. Violette’s friends were amazing, “They kept saying, ‘Oh, yeah. That’s a great idea. Go for it,” and her grown children also gave their seal of approval. However, other artists weren’t always so encouraging. “I like glitter. I have it on my van, and my floors, and my work. The worst advice I have ever been given was from an artist who said, ‘Wait ‘til you’re established, then add your glitter.’” The artist advised to do what appeals to others first and be eccentric in her style later, even though to do so would have been a denial of part of Violette’s essential self. “I ignored it. I use glitter everywhere. I just love it.”
**************
You may see Violette’s home, her art van (including instruction on how to paint your own), her pieces for sale and the video of her home by visiting her website: http://www.violette.ca/
Be sure to tell her Mel. Edwards’ Votre Vray sent you.
Ever want to just go wild with color? Have you seen the houses in other nations, like Jellybean Row in Newfoundland (http://www.flickr.com/groups/jellybeanrow/), and dream of transforming out of the beige that seems to have captivated much of America? Let me introduce you to Violette, a wonderful Canadian woman as colorful as her palette. Her house is purple, van is multi-hued emblazoned with creativity quotes such as Joseph Campbell’s “Follow Your Bliss,” and her home is so vibrant that it has been profiled on an episode of Weird Homes.
You may have noticed she doesn’t give a last name. “When you’re a girl, you have your father’s name. You get married and have your husband’s. I’m happy with just Violette.” A bit of research reveals that Violette and several friends were so set on claiming their own identities that they each had a wedding ceremony – to marry their own true selves. That for feminine identity independence that goes a lot further than calling a woman "Ms." instead of Miss or Mrs!
I asked what her neighbors thought of her home. She said a gal friend asked an older gentleman from down the street when she first painted it. His reply? “It sure is colorful!” Violette laughs. Still, she keeps moving forward adding personality to her belongings and her art to the world. “I used to get embarrassed when friends would go with me to art supply stores and tell people I was an artist. I found it hard to accept the title because I’m not a fine artist. I’m a folk artist. Now I think it is great and I’ve grown into it. Still, as women we’re trained to think about others (first) and to not get a big head. It is a process.”
When you’re an emerging artist, others often offer advice whether you ask for it or not. Violette’s friends were amazing, “They kept saying, ‘Oh, yeah. That’s a great idea. Go for it,” and her grown children also gave their seal of approval. However, other artists weren’t always so encouraging. “I like glitter. I have it on my van, and my floors, and my work. The worst advice I have ever been given was from an artist who said, ‘Wait ‘til you’re established, then add your glitter.’” The artist advised to do what appeals to others first and be eccentric in her style later, even though to do so would have been a denial of part of Violette’s essential self. “I ignored it. I use glitter everywhere. I just love it.”
**************
You may see Violette’s home, her art van (including instruction on how to paint your own), her pieces for sale and the video of her home by visiting her website: http://www.violette.ca/
Be sure to tell her Mel. Edwards’ Votre Vray sent you.
A Needle Pulling Heart
Interview excerpt by Mel. Edwards for Votre Vray Creative Women’s Project
Janet Perry, of http://www.napaneedlepoint.com/, loves needlepoint. “I adored it from the beginning. It took me a long time to satisfy me and make me money, but in ’97 I claimed it. I get enthused. I now see images in stitches and it is a joy to turn the image in my head onto canvas.” Because of her love of her craft, she has a patience with it that many non-stitchers do not. I asked if it was difficult for her and she said, “I have MS but it doesn’t hurt my stitching at all. I have great attention to detail.”
We talked about how the world of needlepoint was compared to other needle arts. “Needlework is very conservative endeavor. It is way behind the curve compared to quilting. The consumer doesn’t understand (always) where you want to go, and your methods of marketing. You must be willing to educate others to be able to accomplish what you wish.” I asked for an example. “I have been doing virtual book tours. My first book came out last August and I did some tours that way. Then, went my second book came out in May, three people said, ‘You were here already,’ and weren’t interested in having me do my tour with them again.”
I was stunned with Janet’s story. Imagine someone telling a fiction writer, “Gee, you wrote one book. Why do we care you’re developing new characters and stories? We know what you’re all about already.” Certainly no one would say that to Stephen King. My ire rose and I really wanted to knock someone in the head. Luckily, Janet is classy enough not to share which three people in the world of virtual book tours said this to her.
Janet advises, “Don’t expect returns for five years. That was advice to me that has turned out to be true. I was told to stick with it and wait for the returns on my work investment. I’ve been persistent. Make sure people know that you’re there. The returns will come.” I wish many happy returns to Janet for many books, project and years to come.
***********
Visit Janet’s site to order Needlepoint Trade Secrets, Bargello Revisited, and a variety of needlepoint designs and supplies.
Janet Perry, of http://www.napaneedlepoint.com/, loves needlepoint. “I adored it from the beginning. It took me a long time to satisfy me and make me money, but in ’97 I claimed it. I get enthused. I now see images in stitches and it is a joy to turn the image in my head onto canvas.” Because of her love of her craft, she has a patience with it that many non-stitchers do not. I asked if it was difficult for her and she said, “I have MS but it doesn’t hurt my stitching at all. I have great attention to detail.”
We talked about how the world of needlepoint was compared to other needle arts. “Needlework is very conservative endeavor. It is way behind the curve compared to quilting. The consumer doesn’t understand (always) where you want to go, and your methods of marketing. You must be willing to educate others to be able to accomplish what you wish.” I asked for an example. “I have been doing virtual book tours. My first book came out last August and I did some tours that way. Then, went my second book came out in May, three people said, ‘You were here already,’ and weren’t interested in having me do my tour with them again.”
I was stunned with Janet’s story. Imagine someone telling a fiction writer, “Gee, you wrote one book. Why do we care you’re developing new characters and stories? We know what you’re all about already.” Certainly no one would say that to Stephen King. My ire rose and I really wanted to knock someone in the head. Luckily, Janet is classy enough not to share which three people in the world of virtual book tours said this to her.
Janet advises, “Don’t expect returns for five years. That was advice to me that has turned out to be true. I was told to stick with it and wait for the returns on my work investment. I’ve been persistent. Make sure people know that you’re there. The returns will come.” I wish many happy returns to Janet for many books, project and years to come.
***********
Visit Janet’s site to order Needlepoint Trade Secrets, Bargello Revisited, and a variety of needlepoint designs and supplies.
Kay Ryan - New US Poet Laureate
If you haven't heard, this October, the US will have a new woman poet laureate! Read more about her here: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/07/17/MN8411QTIU.DTL
My favorite part of the interview/story is this line:
"But when I was 30, I realized I wasn't going to avoid being this poet thing," she said.
Ryan happens to also be an English teacher, like yours truly, and she's 62. So, all you women out there who haven't "made it" in your field yet, know the big prize can come at any time. I've got 22 years to go! I'm so excited about how much I can do in that much time and feel a whole lot better about the fact that I "wasted" so many years suppressing my art trying to fit in to the world of public education when I really wanted to shout and run around like my hair was on fire.
Question of the day: When could you no longer avoid recognizing your art?
Let me know your story! Either post a comment below or e-mail me directly at Mel Edwards Connect [at] Yahoo [dot] com.
Until later,
keep creating!
-Mel.
My favorite part of the interview/story is this line:
"But when I was 30, I realized I wasn't going to avoid being this poet thing," she said.
Ryan happens to also be an English teacher, like yours truly, and she's 62. So, all you women out there who haven't "made it" in your field yet, know the big prize can come at any time. I've got 22 years to go! I'm so excited about how much I can do in that much time and feel a whole lot better about the fact that I "wasted" so many years suppressing my art trying to fit in to the world of public education when I really wanted to shout and run around like my hair was on fire.
Question of the day: When could you no longer avoid recognizing your art?
Let me know your story! Either post a comment below or e-mail me directly at Mel Edwards Connect [at] Yahoo [dot] com.
Until later,
keep creating!
-Mel.
Votre Vray Preview Set ~ Barefoot Annie's, October 1st
Votre Vray preview night, October 1st, 2008 will be held at Barefoot Annie's Coffee House and Tapas Restaurant on Main Street, Simpsonville, SC. http://www.barefootannies.com/
Kim, proprietor, was the first woman to submit her story to the Votre Vray process, so Mel felt she should be the first proprietor to benefit from the show.
Please be a patron at Barefoot Annie's long before the show, and long after. You'll love the atmosphere in the new location, Kim is feisty woman who won't hold back her humor or her love for what she does, and the fare is fab.
Preview is free and open to the public. Annie's opens at 7 p.m. and the show begins at 8 p.m. giving you plenty of time to come eat, drink and be merry. Come meet Mel., wear your "Shout: Kiss My Art" T-shirt, and donate to local artists and arts organizations to help them offer FREE arts events to women looking to find and honor their artistic spirit.
Kim, proprietor, was the first woman to submit her story to the Votre Vray process, so Mel felt she should be the first proprietor to benefit from the show.
Please be a patron at Barefoot Annie's long before the show, and long after. You'll love the atmosphere in the new location, Kim is feisty woman who won't hold back her humor or her love for what she does, and the fare is fab.
Preview is free and open to the public. Annie's opens at 7 p.m. and the show begins at 8 p.m. giving you plenty of time to come eat, drink and be merry. Come meet Mel., wear your "Shout: Kiss My Art" T-shirt, and donate to local artists and arts organizations to help them offer FREE arts events to women looking to find and honor their artistic spirit.
Wednesday, July 23, 2008
Shout: Kiss My Art !!!
Mel has launched a new website to promote the Votre Vray show.
Visit: www.ShoutKissMyArt.com and see preview and Opening Night dates, and order a T-shirt that says:
Shout KMA!
(Kiss My Art)
[in white letters on the front]
Votre Vray
Your Truth is Your Way!
www.VotreVray.blogspot.com
[in white letters on the back]
Additional details on ShoutKissMy Art.com.
Mention you saw this blog posting when you order the shirt and Mel will give an extra $1 to the arts and send you a FREE ticket for preview night!
Visit: www.ShoutKissMyArt.com and see preview and Opening Night dates, and order a T-shirt that says:
Shout KMA!
(Kiss My Art)
[in white letters on the front]
Votre Vray
Your Truth is Your Way!
www.VotreVray.blogspot.com
[in white letters on the back]
Additional details on ShoutKissMy Art.com.
Mention you saw this blog posting when you order the shirt and Mel will give an extra $1 to the arts and send you a FREE ticket for preview night!
Tuesday, July 22, 2008
Dance Today, Knit Tomorrow
An excerpt of Ann McCauley's interview by Mel. Edwards for Votre Vray Creative Women.
Ann McCauley is late coming to her knitting career, by way of 20 years of dance at the Denver Center Performing Arts, 14 years of choreographic adaptation of a Christmas Carol. “I joke that I’ve been in the arts and now I’m in the crafts,” laughs Ann, although knitting has been part of her life since the 1980s. She notes knitting and dance have a good deal in common. “They’re interrelated: shape, content, rhythm, design. They are similar. There is order, repetition. It is all about movement -- even if knitting is more intrinsic and less athletic.” In 1995 Ann did her last major dance performance, and now at age 56, she’s still in “really good physical shape.” Ann admits that “I knew one day I’d be in another market. Still, I have a vision of doing a dance about knitting. I can see it….” She goes on to describe her vision, but I will not steal her thunder here. Instead, I fully expect she will develop it, and when she does, I will let you know.
Ann says her creative spirit is given information at those soft moments that are connected to her truth. “It may not inform on the literal level, but maybe in some abstract way. You must learn to get out of the way. Open yourself to the deeper reservoir inside. Focus away from the daily routine. Let surface thoughts fall away. That is when I know I’ve found it.”
Where ever you find your joy and life’s work, it is not too late to learn to knit, or be creative in another medium. Whatever you do, Ann says, “Be true to your inner self.” So she is.
************
Ann McCauley has been a knitting author since 2003. More about her and her books can be found at: http://www.annmccauleyknits.com/
Ann McCauley is late coming to her knitting career, by way of 20 years of dance at the Denver Center Performing Arts, 14 years of choreographic adaptation of a Christmas Carol. “I joke that I’ve been in the arts and now I’m in the crafts,” laughs Ann, although knitting has been part of her life since the 1980s. She notes knitting and dance have a good deal in common. “They’re interrelated: shape, content, rhythm, design. They are similar. There is order, repetition. It is all about movement -- even if knitting is more intrinsic and less athletic.” In 1995 Ann did her last major dance performance, and now at age 56, she’s still in “really good physical shape.” Ann admits that “I knew one day I’d be in another market. Still, I have a vision of doing a dance about knitting. I can see it….” She goes on to describe her vision, but I will not steal her thunder here. Instead, I fully expect she will develop it, and when she does, I will let you know.
Ann says her creative spirit is given information at those soft moments that are connected to her truth. “It may not inform on the literal level, but maybe in some abstract way. You must learn to get out of the way. Open yourself to the deeper reservoir inside. Focus away from the daily routine. Let surface thoughts fall away. That is when I know I’ve found it.”
Where ever you find your joy and life’s work, it is not too late to learn to knit, or be creative in another medium. Whatever you do, Ann says, “Be true to your inner self.” So she is.
************
Ann McCauley has been a knitting author since 2003. More about her and her books can be found at: http://www.annmccauleyknits.com/
From Corporate Fast Track to Natural Arts and Healing Path
The following is and excerpt of an interview from Dawn Clare, www.spisebliss.com, conducted by Mel. Edwards for the Votre Vray Creative Women project.
What would you do if you were on the fast track to CEO, Harvard MBA under your belt and full of energy? Would you honor your creative gifts outside the boardroom? Imagine for a moment, impact of metal on bone, and flesh, pain and your vehicle is demolished beyond recognition. Regardless of your fast track reality, just moments ago, you’re now immobile, allergic to pain killers, trapped in a brace – and you’ll stay that way for months. Do you dream of returning to corporate America? Or does the muse haunt your dreams?
Before Dawn Clare’s accident four years ago, she knew she was creative and had healing skills. An Indian shaman had shared his awareness of her gifts with her more than 10 years earlier. After the crash, “my gifts are now at a higher level,” Dawn admits. She’s helped parents previously unable to conceive find their truth in the process. Some have walked away knowing parenthood wasn’t what they wanted after all, and perhaps had blocked all along. Others, who had wanted to be parents most sincerely, now are.
Dawn says, “People are often afraid about their life gifts. I say, be open internally about what your gifts are, and what they are not. Once you understand that, it (your truth) becomes your anchor. If you have a core passion, your truth will come from it. No one can tell you what it is. Go internally to find your truth. Then find people who support it and they will become relationship anchors.” Her mantra? “Do what you love, be with those you love, and the rest of your life falls into bliss!”
What is her artistic passion? “Sunsets. To me, they are nature’s smiles.” Dawn began taking sunset photos from the same location each week for over a year. “I now have over 2000 sunset photos,” she beams. From what I can tell, she has every reason to smile back at Mother Nature, night after night.
**************
You can find more information about Dawn Clare and see her sunset photos via her website: www.spisebliss.com
What would you do if you were on the fast track to CEO, Harvard MBA under your belt and full of energy? Would you honor your creative gifts outside the boardroom? Imagine for a moment, impact of metal on bone, and flesh, pain and your vehicle is demolished beyond recognition. Regardless of your fast track reality, just moments ago, you’re now immobile, allergic to pain killers, trapped in a brace – and you’ll stay that way for months. Do you dream of returning to corporate America? Or does the muse haunt your dreams?
Before Dawn Clare’s accident four years ago, she knew she was creative and had healing skills. An Indian shaman had shared his awareness of her gifts with her more than 10 years earlier. After the crash, “my gifts are now at a higher level,” Dawn admits. She’s helped parents previously unable to conceive find their truth in the process. Some have walked away knowing parenthood wasn’t what they wanted after all, and perhaps had blocked all along. Others, who had wanted to be parents most sincerely, now are.
Dawn says, “People are often afraid about their life gifts. I say, be open internally about what your gifts are, and what they are not. Once you understand that, it (your truth) becomes your anchor. If you have a core passion, your truth will come from it. No one can tell you what it is. Go internally to find your truth. Then find people who support it and they will become relationship anchors.” Her mantra? “Do what you love, be with those you love, and the rest of your life falls into bliss!”
What is her artistic passion? “Sunsets. To me, they are nature’s smiles.” Dawn began taking sunset photos from the same location each week for over a year. “I now have over 2000 sunset photos,” she beams. From what I can tell, she has every reason to smile back at Mother Nature, night after night.
**************
You can find more information about Dawn Clare and see her sunset photos via her website: www.spisebliss.com
If Birth to a Loving Mother isn’t Enough of a Gift…
The following is an excerpt of an interview of Tisha DeShields, www.OriginalBellyWorks.com, conducted by Mel. Edwards for the Votre Vray Creative Women Project.
For some women, pregnancy is pure joy at the expectation and anticipation of a new life. Tisha DeShields was one such mother, four times over. “I wanted to leave something tangible but unique for each of my children, something that I could pass on the hopes and dreams for each child in a displayable or creative form.” Thus, the belly cast was born.
When Tisha began, she used plaster kits and sold those. Then, one day while she was in the dentist’s chair, a little voice inside her said, “Mass produce.” Knowing this was the step she needed to grow her brand, she rushed home and began using the power of the Internet to look at what options were out there. Soon she discovered a man who made fiberglass mannequins. “He was willing to do them in small number, and I won’t say they are indestructible, but I will say they don’t crumble (like plaster does). They bounce.” That made her idea less fragile and the options expanded from there.
Who would buy these fiberglass bellies other than expectant mothers? “I had a man buy one and put the family tree on it and give it to his grandmother for her birthday. Adoptive mothers can buy them too.”
What do her children think of the decorated belly casts? “The kids can’t wait to show them off to their friends. Now they help me design new ideas.” I’m not sure she needs much help in that area, as she goes on to explain, “DeAngelo (one son) has his covered with angels. DeLino (her other boy) has a baseball theme on his, and the girls, Diamond and Denim, have crystals and patchwork on theirs.”
So, if you could design a belly like a scrapbook to show the world who you are, and where your ancestors have come from…what would you put on it? Tisha can help you there as well. “This fall we have belly charms, and charm bracelets coming out. I’ve also designed a belly cake pan and cookies for celebrations.” Oh, mama! What amazing and fun show of love will you dream up for your babies next?
********
Tisha DeShields is the founder of the Original Belly Works and can be found at www.orignalbellyworks.com
For some women, pregnancy is pure joy at the expectation and anticipation of a new life. Tisha DeShields was one such mother, four times over. “I wanted to leave something tangible but unique for each of my children, something that I could pass on the hopes and dreams for each child in a displayable or creative form.” Thus, the belly cast was born.
When Tisha began, she used plaster kits and sold those. Then, one day while she was in the dentist’s chair, a little voice inside her said, “Mass produce.” Knowing this was the step she needed to grow her brand, she rushed home and began using the power of the Internet to look at what options were out there. Soon she discovered a man who made fiberglass mannequins. “He was willing to do them in small number, and I won’t say they are indestructible, but I will say they don’t crumble (like plaster does). They bounce.” That made her idea less fragile and the options expanded from there.
Who would buy these fiberglass bellies other than expectant mothers? “I had a man buy one and put the family tree on it and give it to his grandmother for her birthday. Adoptive mothers can buy them too.”
What do her children think of the decorated belly casts? “The kids can’t wait to show them off to their friends. Now they help me design new ideas.” I’m not sure she needs much help in that area, as she goes on to explain, “DeAngelo (one son) has his covered with angels. DeLino (her other boy) has a baseball theme on his, and the girls, Diamond and Denim, have crystals and patchwork on theirs.”
So, if you could design a belly like a scrapbook to show the world who you are, and where your ancestors have come from…what would you put on it? Tisha can help you there as well. “This fall we have belly charms, and charm bracelets coming out. I’ve also designed a belly cake pan and cookies for celebrations.” Oh, mama! What amazing and fun show of love will you dream up for your babies next?
********
Tisha DeShields is the founder of the Original Belly Works and can be found at www.orignalbellyworks.com
Monday, July 21, 2008
Attention All Votre Vray Artists ~ Call for Give-Aways
Dear Friends,
As mentioned in the blog the other day, I will be at the Upstate (SC) Women's Show August 22-24. In addition to promoting my poetry chapbook and cd, I will be focusing upon the Votre Vray stories of creative women. In doing so, I'll be asking local women to participate in the Votre Vray Creative Women project and telling them about you and your work. If you have any items you'd like me to give away as part of that show: books, business cards, cd's, dvd's, magnets, bookmarks, fliers, pens, prints, T-shirts, etc. please snail mail them to me at:
Votre Vray
P O Box 1106
Mauldin SC 29662
I will make sure every item is given to potential customers and encourage them to tell you Mel Edwards' Votre Vray sent them. All give-aways must be received by August 20th, 2008.
Until next time, keep creating!
-Mel.
As mentioned in the blog the other day, I will be at the Upstate (SC) Women's Show August 22-24. In addition to promoting my poetry chapbook and cd, I will be focusing upon the Votre Vray stories of creative women. In doing so, I'll be asking local women to participate in the Votre Vray Creative Women project and telling them about you and your work. If you have any items you'd like me to give away as part of that show: books, business cards, cd's, dvd's, magnets, bookmarks, fliers, pens, prints, T-shirts, etc. please snail mail them to me at:
Votre Vray
P O Box 1106
Mauldin SC 29662
I will make sure every item is given to potential customers and encourage them to tell you Mel Edwards' Votre Vray sent them. All give-aways must be received by August 20th, 2008.
Until next time, keep creating!
-Mel.
Why Votre Vray Creative Women Entire Artist Interviews and Images Do Not Appear Here
I, Mel., would like all participating Votre Vray artists and visitors to the blog to know that only artists or businesses profiled that do NOT have a full website available at this time will have images in this blog. Once all interviewees have been profiled, if time permits and there is no conflict with the publication, images will be added to profiles that already have working business web addresses. Please note any image in this blog or any part of interviews that appear here cannot reappear as is in the Votre Vray book, as the book contents must be unique. The same artists may appear in the play or the book, but additional information from the interviews would be used for that purpose.
If you have been interviewed and you do not see a link to your site, or information about you at this time, please be patient. I have about 80 interviews in queue as of this morning, and I'm trying to close on a house, find a new home, prepare for the Upstate Women's Show, conduct more interviews, and move my office before August 7th.
Thank you for your understanding in this matter, and best wishes in all of your creative endeavors. Remember, it is my mission to promote your work as well as create a play and a book that will benefit us both. Please be patient as I strive for the highest quality work possible.
If you have been interviewed and you do not see a link to your site, or information about you at this time, please be patient. I have about 80 interviews in queue as of this morning, and I'm trying to close on a house, find a new home, prepare for the Upstate Women's Show, conduct more interviews, and move my office before August 7th.
Thank you for your understanding in this matter, and best wishes in all of your creative endeavors. Remember, it is my mission to promote your work as well as create a play and a book that will benefit us both. Please be patient as I strive for the highest quality work possible.
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